Novello (available from and ) makes an excellent 10, 16, 26, etc. Although proficient with computer, I only use computer when the work is done. Also by not using pencil, I do not waste time erasing like I used to. I used to use pencil but it does not give you a dark enough mark and using ink fills a sort of artistic need of mine. I like to compose with size A3 landscape paper with 16 or 18 staves with paper that works best with fountain pen or even dip pen. I typically sketch condensed scores on a few staves and transfer directly to Finale after that, so I've never needed alternative paper sizes.Ĭan anyone recommend manuscript paper brands aside from Carta and Passantino? Are there affordable quality notebooks with more than 96 pages? Also, does anyone know of a company that uses brown ink instead of black? A large manuscript notebook with pocketed dividers would be nice.)įor me these two types of paper get the job done. I do this in a binder instead of a notebook so that I can put my class handouts in the pockets of the binder. (I'm the kind of guy who takes sloppy notes during a lecture in a notebook and rewrites/reorganizes them on loose leaf paper when I get home so I have a clean copy for my binder. 2), although it might be better to use 10 stave pages so there's more white space to write in. I'd buy one with more pages if I could, but I haven't found one yet.įor class notes I fill a 1" 3 ring binder with 12 stave, 8.5x11, hole-punched pages (like Carta No. 85 (I've heard that Archives is also a good brand). When making sketches, no matter the ensemble, I like to use a spiral bound notebook, usually a 96 page, 12 stave, 9x11 one like the Carta No. I purchased some manuscript paper the other day and started to wonder what other composers like to use when writing (notation software aside).
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